While it may seem obvious that material wealth does not bring happiness, an author of the Pirkei Avot believed that an explicit warning was needed. Haya Shenhav and Yirmi Pinkus’s 100 Rooms expands on this tractate of the Mishnah, turning the concept of “the more possessions, the more worry” into an enchantingly funny picture book about one homeowner who learns his lesson the hard way. Every room in his overbuilt home becomes a complicated obstacle to contentment. Eventually, he learns that recognizing what one truly needs is a better way to live.
When the book opens, an unnamed man demands that a builder construct a house for him. The resulting house is too small for someone who is apparently never satisfied. As he insists on more and more rooms, the initially modest house becomes a palace. Yet although his dwelling keeps growing, he himself does not: “But the man wasn’t a king. He was just a man.” At first it seems unlikely that the greedy man will realize his mistake. After all, he desperately tries to find a use for each of the one hundred rooms. Dedicating one to plates and another to forks certainly does not make sense; his whole enterprise is ridiculous.
Shenhav’s straightforward language echoes the tone and moral clarity of fairy tales, and Pinkus’s illustrations are the perfect counterpart to the text. Both words and images convey the contradiction of wealth and emptiness.
Reaching the final room, the man is bereft. A sad figure with red pants and tufts of clown-like red hair, he is at a complete loss. “Now I will eat something, and after that I will go to sleep,” he tells himself, only to find that the simplest tasks have become impossible. The hundredth room is completely bare except for a hanging light illuminating nothing.
A moment of realization leads to change. The man looks in a mirror and sees himself as he really is: “dirty, tired, and frustrated.” And compared to his depressing home, the outdoors looks wonderful. The man notices a chicken happily reclining in a hammock and knows it is time to reverse course. Rather than abandoning his goods, he decides to sell them at an affordable price. Soon his neighbors are cheerfully carting away furniture and houseplants. As the author’s afterword reminds us, relationships matter more than accumulated stuff.
Emily Schneider writes about literature, feminism, and culture for Tablet, The Forward, The Horn Book, and other publications, and writes about children’s books on her blog. She has a Ph.D. in Romance Languages and Literatures.