This is a provocative, at times maddening, book. Kotek’s principal aim is to trace major themes in anti-Israel cartoons in the Arab press (and on the Internet) back to their roots in historical anti-Semitic slanders such as the blood libel, the myth of conspiratorial Jewish world-control set forth in the fraudulent Protocols of the Elders of Zion, and the image of Jews as subhuman as exemplified in such Nazi publications as Der Sturmer.
Most of the hundreds of cartoons reproduced indeed support Kotek’s thesis that today’s “anti-Zionism” is basically a revival of traditional virulent anti-Semitism, but in far too many cases, the issues are more complex and his argument seems tendentious. Kotek’s analysis is made even more problematic by the paucity of translations for many captions in the cartoons and of explanatory context for cartoons that include representations of relatively unfamiliar people and events, which make it difficult — if not impossible — for the reader to judge for herself exactly what the cartoonist is doing.