Non­fic­tion

My Moth­er’s War: A Holo­caust Sur­vivor’s Trib­ute to an Extra­or­di­nary Woman

  • Review
By – August 26, 2024

In 1939, Michael (Mietek) Fryd was three years old and liv­ing in a small Pol­ish town above his par­ents’ sport­ing goods/​bicycle shop when Ger­many invad­ed Poland. This mem­oir of his family’s sur­vival cen­ters on his mother’s abil­i­ty to save his life more than once. Her sheer brav­ery, cun­ning, and deter­mi­na­tion saw them through the ghet­to, years of hid­ing in a root cel­lar, the chal­leng­ing and chaot­ic post­war years, and a Paris slum, and even­tu­al­ly brought them to America.

What begins as a Holo­caust sto­ry becomes an inti­mate and com­pelling tale of the last­ing effect that Eve­lyn Fryd’s strength and clev­er­ness had on her son. Eve­lyn kept her fam­i­ly alive through secret tips; the manip­u­la­tion of neigh­bors, friends, and fam­i­ly; smug­gling and lying; and feign­ing inno­cence in the face of Nazi offi­cers. Her duplic­i­ty served her well the rest of her life as she engaged in legal and ille­gal enter­pris­es, includ­ing black-mar­ket oper­a­tions and mon­ey schemes in Poland, France, the US, and Israel. Eve­lyn had no regrets about doing what­ev­er need­ed to be done. Fryd, for his part, used some of her tac­tics when trou­bles beset him. Though he tru­ly loved her, he does ques­tion the choic­es she made lat­er in life, and her inabil­i­ty to stop liv­ing by her ambi­tion and wits.

Fryd’s moti­va­tion in writ­ing this mem­oir was to con­vey to his chil­dren, who were brought up in the rel­a­tive­ly safe US, the tra­di­tions and his­to­ry of fam­i­ly mem­bers who were killed by those schooled in cen­turies-old hatreds. He pro­vides sub­stan­tial per­son­al back­ground as well as infor­ma­tion about the Jew­ish Pol­ish expe­ri­ence. Yet Fryd doesn’t wal­low in or con­stant­ly bemoan his hor­rif­ic Holo­caust and life expe­ri­ences. He believes that con­cen­trat­ing only on the hor­rors, ter­ror, and tragedies of the Holo­caust lessens the val­ue of the vic­tims’ life stories.

In straight­for­ward prose, Fryd shares that he spent inter­minable hours day­dream­ing and read­ing in the root cel­lar, being on the run, hid­ing on farms, liv­ing in orphan­ages, and bear­ing anti­se­mit­ic inci­dents. He writes can­did­ly about his strug­gles to adjust to a new coun­try and cul­ture and about his efforts to become a sci­en­tist and cul­ti­vate relationships.

Fryd depicts the many char­ac­ters he meets with humor and hon­esty. The right­eous and not-so-right­eous Poles, the bureau­crats, the Parisian sex work­ers, the fel­low sur­vivors and stu­dents, the fam­i­ly mem­bers — they all have their own human flaws and foibles. Fryd pro­vides detailed reflec­tions and com­pelling descrip­tions. He owes his writ­ing tal­ents to his years of soli­tary cap­tiv­i­ty and his need to cre­ate ideas.

While My Mother’s War focus­es on the sto­ry of Fryd’s moth­er, it hon­ors all sur­vivors as they found the resolve to rebuild lives that were often filled with under­ly­ing anger, bro­ken rela­tion­ships, and fear.

Reni­ta Last is a mem­ber of the Nas­sau Region of Hadassah’s Exec­u­tive Board. She has coor­di­nat­ed the Film Forum Series for the Region and served as Pro­gram­ming and Health Coor­di­na­tors and as a mem­ber of the Advo­ca­cy Committee.

She has vol­un­teered as a docent at the Holo­caust Memo­r­i­al and Tol­er­ance Cen­ter of Nas­sau Coun­ty teach­ing the all- impor­tant lessons of the Holo­caust and tol­er­ance. A retired teacher of the Gift­ed and Tal­ent­ed, she loves par­tic­i­pat­ing in book clubs and writ­ing projects.

Discussion Questions