Whose fault was the fall from paradise in the Garden of Eden? From the Talmud to modern literature, there has been endless discussion about the creation of the world. In their new book, Jane Yolen and Anita Barghigiani do not pretend to answer this question. Instead, they present a “modern midrash” that elaborates on the Book of Genesis.
When God fills the void with the “beautiful blinking lights” of the universe, darkness gives way to an array of life forms. Barghigiani paints a background of darkness, a map of celestial bodies in different colors, and then a lush garden. There, gourds have faces, and bunches of grapes eye suspiciously the snake who will turn out to be a troublemaker. These fruits are all competitive and self-centered. When Yolen describes a pomegranate and a fig fighting, her tone is appropriately humorous. Before long, God no longer has the patience to listen to the fruits’ arrogant nonsense, so he creates two beings to bring some order to the scene. They are a man and woman. What could go wrong?
God does not ask the man and woman to judge the fruits, but to become their caretakers. He gives them instructions, along with two main rules: work hard and refrain from eating the fruit — not just the apple, as the biblical warning says, but any fruit. Yolen allows readers to infer that the fruits’ worst qualities bring out humans’ own. Soon, the man and women discover that, while harvesting vegetables requires hard work, fruit drops into their hands with little effort. The man hugs the grapes against his bare chest, while the woman cradles the apple in her hands. Before they know it, they’ve been seduced by the snake’s tempting suggestion that they take the easy way out: “Listen to the Fruits!”
This highly recommended book is lightly moral and deeply spiritual. Yolen reveals that “the caretakers were closer to the Fruits than to God,” a simple line that captures human weakness. Choosing the path of least resistance, Yolen seems to say, can lead to much harder work than one could ever imagine. But veering away from Genesis, she transforms the punitive outcome of the original story into something more encouraging for children: the man and the woman will just have to dig in and work hard.
The author and illustrator conclude that we are all different, with good and bad qualities. We will inevitably argue with one another. But we can also enjoy the fruits of our cooperation.
Emily Schneider writes about literature, feminism, and culture for Tablet, The Forward, The Horn Book, and other publications, and writes about children’s books on her blog. She has a Ph.D. in Romance Languages and Literatures.