Fic­tion

The Trade Off

  • Review
By – November 12, 2024

Set in New York City in the mid-1920s, The Trade Off is a his­tor­i­cal nov­el about a plucky, proud immi­grant Jew­ish woman named Bea Abramovitz. The book tells the sto­ry of Bea’s pas­sions and bril­liance, and her deter­mi­na­tion to make her way in what is per­haps the most male-dom­i­nat­ed milieu of her time: Wall Street.

Bea’s par­ents, Lew and Pauline, were suc­cess­ful back in Odessa, but they have worked hard just to hold onto a low­er eco­nom­ic rung in Amer­i­ca. Lew is a pro­duce ped­dler, and Pauline, who refus­es to learn Eng­lish, can­not let go of the dis­ap­point­ment of hav­ing lost her aris­to­crat­ic life in the old coun­try — where she was a mem­ber, as she often reminds her fam­i­ly, of the House of Oppen­heim. In con­trast to Bea’s dis­ci­pline and smarts, her twin broth­er, Jake, has got­ten by on charm and Bea’s own will­ing­ness to help him. This back­drop of strug­gling immi­grants, of strivers and dream­ers, forms the foun­da­tion of The Trade Off, which paints a por­trait of women find­ing their way in a man’s world. Through a col­lege pro­fes­sor, Bea man­ages to get her­self an inter­view with a promi­nent woman in the ladies’ office of the House of Mor­gan. But Bea quick­ly learns that her smarts are of no real use when it’s charm and social con­nec­tions (and not being Jew­ish) that real­ly open doors.

Although she man­ages to prove her­self on the wire” in the base­ment of the firm, she still dreams of being a bro­ker. Her broth­er, mean­while, drops out of school to pur­sue a sounds-too-good-to-be-true oppor­tu­ni­ty sell­ing oil wells in Cal­i­for­nia. As far as his fam­i­ly can tell, busi­ness is boom­ing, and Jake is the great suc­cess he’d always dreamed of being.

But then he returns a bro­ken man, hav­ing lost it all in a Ponzi scheme his sis­ter tried to warn him away from. Not long after his return, he cleans him­self up, starts work­ing with his father, and some­how catch­es the atten­tion of one of Bea’s socialite friends from the bank, Hen­ri­et­ta (Hen­ny) Brod­sky, the daugh­ter of a wealthy depart­ment store fam­i­ly. Bea, for her part, has caught the eye of Henny’s cousin Nate, a bro­ker at a rival Wall Street Bank.

We aren’t giv­en a deep dive into char­ac­ters’ moti­va­tions, except per­haps for Bea’s, which are clear and present through­out the nov­el. How­ev­er, the author shows us the broad­er push and pull of a fam­i­ly striv­ing in a new coun­try. This is a nov­el in which young immi­grants attempt to gain a toe­hold or more on the lad­der of suc­cess, all while try­ing to be faith­ful sons and daugh­ters to par­ents nav­i­gat­ing their own, more bit­ter­sweet challenges.

It’s notable how a book about extreme wealth, and the day-to-day strug­gle of the impov­er­ished in New York City in the late 1920s, could just as eas­i­ly take place today. The back­grounds of the char­ac­ters might be dif­fer­ent, but their dreams, set­backs, and eth­i­cal quan­daries are all quite famil­iar — as are their fears about hav­ing and poten­tial­ly los­ing everything.

Nina Mogilnik left a long career in phil­an­thropy, non-prof­it, and gov­ern­ment work to focus on fam­i­ly, on caus­es dear to her, and on her own writ­ing, which she pub­lish­es on Medi­um, at the Blogs of the Times of Israel, and elsewhere. 

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