Guid­ed Tour

The aliens’ space­ship arrived every Thurs­day. Meron would wait for them next to the ruins of what used to be Ramat Gan City Hall, with a cool­er in tow. They always came in groups of four, or five if you count­ed the hov­er­ing robot who seemed to be their guide. Meron had a reg­u­lar itin­er­ary: first he took them to see the Great Syn­a­gogue that had remained almost intact, then they made their way to Ramat Gan Sta­di­um, which had long ago turned into a swamp, and final­ly he led them to the wreck­age of Ramat Gan The­ater. That was where, a few months after they’d start­ed going out, he and Rona had seen Romeo and Juli­et. Stand­ing by the pile of rub­ble that used to be the the­ater, he told the aliens the sto­ry of the infat­u­at­ed pair who were so des­per­ate­ly in love that they pre­ferred dying togeth­er to liv­ing alone. After his roman­tic mono­logue, Meron would open the cool­er and hand out the ice pops that he and Rona loot­ed from the gro­cery store near Oasis Cin­e­ma, where they’d worked before the dis­as­ter. The aliens would suck the ice pops curi­ous­ly, and since their body tem­per­a­ture was much low­er than the half-melt­ed treats, all it took was one touch of their tongues for them to com­plete­ly freeze back over. 

After the tour, the robot always gave Meron a tiny met­al box con­tain­ing a hand­ful of what Rona had begun call­ing health pearls.” They nev­er fig­ured out why the aliens need­ed the health pearls, but their effect on humans was incred­i­ble: swal­low­ing just a sin­gle pearl would make you feel full, healthy, and not at all depressed for a whole week. It was a win-win: the aliens got a heart­felt, per­son­al­ized tour led by a near-extinct life-form, and Meron and Rona, the last human beings in the uni­verse, got enough health pearls to sur­vive until the next group’s visit. 

Rona nev­er met the aliens. If it were up to her, she would have joined Meron, but he was adamant, and so every time they land­ed, she ducked into the hide­out they’d set up in the pub­lic library’s base­ment. The robot and the tourists were always well behaved, and Meron nev­er felt in any dan­ger, but nev­er­the­less, he thought it would be safer if the aliens believed he was the only per­son left on Earth and did not find out about Rona. When he gave his spiels about the dif­fer­ent sites, he nev­er so much as hint­ed at her exis­tence, except per­haps when he deliv­ered his mono­logue about Romeo and Juli­et and their over­pow­er­ing love. Although he didn’t men­tion her by name, he felt Rona’s pres­ence in every sin­gle word. 

Rona died from a rusty nail. The health pearls that offered pro­tec­tion from so many ills turned out to be pow­er­less against tetanus. And so, after sur­viv­ing a mete­orite fall, two hur­ri­canes, one tsuna­mi, and the most cat­a­stroph­ic series of earth­quakes ever to hit the plan­et, Rona ulti­mate­ly suc­cumbed to a dis­ease for which humans had devel­oped a vac­cine more than a cen­tu­ry ago. 

When she got ill, he’d des­per­ate­ly insist­ed that she take all the health pearls they had left, but now, as he slumped on the bench, he wished he’d kept one for himself.

Meron buried her next to the bench where they’d first kissed, in King David Park. When she got ill, he’d des­per­ate­ly insist­ed that she take all the health pearls they had left, but now, as he slumped on the bench, he wished he’d kept one for him­self. He wasn’t sure exact­ly what he had, but he was burn­ing up with fever and all his mus­cles ached. Maybe this is the end,” he thought as he lay sweat­ing on the bench near the fresh grave, and shut his eyes. Maybe it was like Romeo and Juli­et: if he and Rona couldn’t live togeth­er, at least they would die together. 

When he woke up, Meron saw the robot hov­er­ing above him, and he could feel a small group of aliens look­ing at him from behind. He must have been in such a deep sleep that he hadn’t heard the space­ship land. He was very weak, but he knew that the only way he could sur­vive was to get more health pearls, and the only way he could do that was to give the tour. He got up and made his way heav­i­ly toward the syn­a­gogue. The tour took longer than usu­al, most­ly because Meron had to do every­thing very slow­ly and he passed out twice. When they final­ly reached the the­ater ruins and Meron held out his hand to the robot, instead of plac­ing the cool met­al box in Meron’s palm, the robot emit­ted a dis­sat­is­fied whis­tle. Meron shrugged his shoul­ders uncom­pre­hend­ing­ly and kept his hand out­stretched. The robot respond­ed with anoth­er whis­tle, this time at a fre­quen­cy so high that it hurt Meron’s ears. He knew that as far as the robot was con­cerned, the tour wasn’t over until Meron told the sto­ry of Romeo and Juli­et, the pair so in love that they saw no point in liv­ing with­out each oth­er. He sighed and told the story. 

Only after the space­ship took off did Meron allow him­self to open the met­al box and put a pearl in his mouth. His fever broke almost imme­di­ate­ly, and by the time he got back to King David Park, his aches and pains had van­ished. He looked at the grave. He and Rona had always thought the aliens trav­eled from the oth­er side of the Milky Way because they want­ed to see the Great Syn­a­gogue and enjoy a frozen treat on a stick. But that wasn’t it. They didn’t fly across all those light-years for that. The rea­son they kept com­ing back was to hear Meron stand at the ruins of the the­ater and tell the sto­ry of true love and of a race so rare, so sen­si­tive, so unselfish, that it would not hes­i­tate to choose death over heart­break and loneliness.

Born in Tel Aviv in 1967, Etgar Keret is a lead­ing voice in Israeli lit­er­a­ture and cin­e­ma. His five best­selling sto­ry col­lec­tions have been trans­lat­ed into 46 lan­guages. His writ­ing has been pub­lished in The New York Times, Le Monde, The Guardian, The New York­er, The Paris Review, and Esquire. He has also writ­ten a num­ber of screen­plays, and Jel­ly­fish, his first film as a direc­tor along­side his wife Shi­ra Gef­fen, won the Caméra d’Or prize for the best first fea­ture at Cannes in 2007. Keret and Gef­fen’s mini-series The Mid­dle­man” (2019) won the best screen­play award at La Rochelle fic­tion TV fes­ti­val in France. In 2010 Keret was award­ed the Cheva­lier de l’Ordre des Arts et des Let­tres, and in 2016 he won the Bronf­man Prize. His lat­est col­lec­tion, Fly Already won the most pres­ti­gious lit­er­ary award in Israel- the Sapir prize (2018). 

Jes­si­ca Cohen shared the 2017 Man Book­er Inter­na­tion­al Prize with author David Gross­man for her trans­la­tion of A Horse Walks into a Bar. She has trans­lat­ed works by Amos Oz, Etgar Keret, Dorit Rabinyan, Ronit Mat­alon, Nir Baram, and others.

Son­dra Sil­ver­ston has trans­lat­ed the work of Israeli fic­tion writ­ers such as Etgar Keret, Ayelet Gun­dar-Goshen, Zeruya Shalev, and Savy­on Liebrecht. Her trans­la­tion of Amos Oz’s Between Friends won the Nation­al Jew­ish Book Award for fic­tion in 2013. Born in the Unit­ed States, she has lived in Israel since 1970.