Yiddish Paris explores how Yiddish-speaking emigrants from Eastern Europe in Paris in the 1920s and 1930s created a Yiddish diaspora nation in Western Europe and how they presented that nation to themselves and to others in France.
In this meticulously researched and first full-length study of interwar Yiddish culture in France, author Nicholas Underwood argues that the emergence of a Yiddish Paris was depended on “culture makers,” mostly left-wing Jews from Socialist and Communist backgrounds who created cultural and scholarly organizations and institutions, including the French branch of YIVO (a research institution focused on East European Jews), theater troupes, choruses, and a pavilion at the Paris World’s Fair of 1937.
Yiddish Paris examines how these left-wing Yiddish-speaking Jews insisted that even in France, a country known for demanding the assimilation of immigrant and minority groups, they could remain a distinct group, part of a transnational Yiddish-speaking Jewish nation. Yet, in the process, they in fact created a French-inflected version of Jewish diaspora nationalism, finding allies among French intellectuals, largely on the left.
Yiddish Paris: Staging Nation and Community in Interwar France
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This eloquent book captures the moment when Paris was the hub in Western Europe for Yiddish cultural and political expression by telling the stories of Yiddish cultural institutions in interwar Paris – spanning from theaters to political organizations to publications – that articulated an expanded vision of cultural Jewishness while steadfastly remaining dedicated to the French Republic.
Mining archives on both sides of the Atlantic, Underwood demonstrates how Yiddish writers, intellectuals, and artists in Paris carved out an autonomous space for Yiddish culture production that was committed to both political ideas like Diaspora Nationalism as well as French civic culture. This book will be essential reading for those interested in Yiddish culture, Western Europe, and Jewish life in the interwar period.
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