Fic­tion

Don’t For­get to Write

  • Review
By – September 9, 2024

Sarah Good­man Confino’s lat­est nov­el, Don’t For­get to Write, strad­dles worlds as well as cen­turies. It begins with a ban­ish­ing, the result of a young woman’s brief seduc­tion of a rabbi’s son. Fol­low­ing her very pub­lic embar­rass­ment, Mar­i­lyn is giv­en the choice of mar­ry­ing the rabbi’s son or being sent to live with her great-aunt, Ada.

Mar­i­lyn is appalled by both options. There is no way she will agree to a shot­gun mar­riage, and the only things she has heard about Ada make her out to be an unfor­giv­ing old woman. It’s 1960, and Mar­i­lyn wants to go back to col­lege and be free of her stern father and her cowed moth­er, who lives under his thumb in ways Mar­i­lyn vows nev­er to emu­late, if and when she marries.

With no mar­riage in the off­ing, Mar­i­lyn is sent to Philadel­phia, where Ada lives. Marilyn’s first impres­sion of her great-aunt, beyond her wild dri­ving home from the train sta­tion, is that she is all about rules: what Mar­i­lyn can and can’t do, and how she will be pun­ished for doing or not doing. Even Marilyn’s lip­stick is con­fis­cat­ed; Ada says that it makes her look like a tart.” Mar­i­lyn envi­sions a long, cru­el, prison-like summer.

As the sto­ry unfolds, rebel­lious, angry Mar­i­lyn chafes against Ada’s restric­tions and does her lev­el best to vio­late all of them. Ada, for her part, puts Mar­i­lyn to use recruit­ing eli­gi­ble young men for her match­mak­ing busi­ness. Lat­er, the house­hold picks up and moves to Aval­on, New Jer­sey for the sum­mer, where Mar­i­lyn ups the ante, land­ing in a for­bid­den rela­tion­ship with Fred­dy, one of the young men she recruit­ed for Ada’s busi­ness. Dis­cus­sion of romance and mar­riage masks the vast dif­fer­ences between these two young lovers, and a shock­ing rev­e­la­tion sends the rela­tion­ship spiraling.

Along the way, the sar­cas­tic repar­tee between Ada and Mar­i­lyn morphs into a rela­tion­ship built on curios­i­ty, com­pas­sion, and, even­tu­al­ly, love. Mar­i­lyn learns that Ada is a far more com­plex and inter­est­ing woman than she imag­ined. Ada’s age belies a rebel­lious spir­it, one that has allowed her to chart a life that runs counter to the expec­ta­tions placed on women of her time.

Ada imparts many lessons to Mar­i­lyn, by word and deed. Mar­i­lyn slow­ly reveals details of Ada’s life sto­ry, includ­ing how she came to be an unmar­ried match­mak­er. But some secrets remain a mys­tery, until a sur­prise end­ing, suf­fused with grief, reveals the biggest secret of all.

Marilyn’s estrange­ment from her fam­i­ly is healed by the hid­den hand of Ada; her love life blos­soms as a result of Ada’s inter­ven­tion as well. Along the way, Mar­i­lyn learns to both embrace Ada’s wis­dom and emu­late her exu­ber­ant, self-made life.

Nina Mogilnik left a long career in phil­an­thropy, non-prof­it, and gov­ern­ment work to focus on fam­i­ly, on caus­es dear to her, and on her own writ­ing, which she pub­lish­es on Medi­um, at the Blogs of the Times of Israel, and elsewhere. 

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