Non­fic­tion

All Con­sum­ing: Ger­mans, Jews, and the Mean­ing of Meat

  • Review
By – April 28, 2025

The premise of John Efron’s All Con­sum­ing: Ger­mans, Jews, and the Mean­ing of Meat is that meat played a pro­found role in shap­ing inter­ac­tions between Jews and Chris­tians in Ger­many from the Mid­dle Ages to the mod­ern peri­od. Through his analy­sis of var­i­ous cul­tur­al arti­facts, rang­ing from pho­tographs, cook­books, pro­pa­gan­da posters, sci­en­tif­ic texts, and children’s books, Efron demon­strates how these inter­ac­tions influ­enced the for­ma­tion of dis­tinc­tive Ger­man Jew­ish iden­ti­ties and shaped Chris­t­ian con­cep­tions of Jews as an eth­nic group.

The 700-year peri­od that Efron cov­ers is knit togeth­er by a dis­may­ing through­line of anti­se­mit­ic reac­tions to Jew­ish dietary cus­toms. Efron illu­mi­nates the extent to which Ger­man racial hier­ar­chies from the Mid­dle Ages to the present quite often coa­lesced around harsh judg­ments regard­ing how Jews treat­ed their meat at each stage of its pro­duc­tion. Medieval and ear­ly mod­ern con­spir­a­cy the­o­ries posit­ing that Jew­ish butch­ers pur­pose­ful­ly poi­soned and dirt­ied meat that they sold to Chris­tians sur­faced in Nazi pro­pa­gan­da that por­trayed Jew­ish butch­ers as unsan­i­tary and dis­hon­est and pro­mot­ed the notion that Jew­ish law sanc­tioned cru­el slaugh­ter prac­tices that threat­ened the sup­posed hygien­ic, civ­i­lized, and moral­ly right­eous Ger­man nation­al character. 

Despite the dis­turb­ing nature of the anti­semitism that Efron shows to be a cen­tral com­po­nent of Ger­man reac­tions to Jew­ish dietary cus­toms, his book also sheds light on pos­i­tive rela­tion­ships between Jews and non-Jews specif­i­cal­ly sur­round­ing meat. For exam­ple, Efron explains how anti-she­chi­ta cam­paigns in Ger­many and Switzer­land in the nine­teenth cen­tu­ry sparked mobi­liza­tion among Chris­tians who viewed bans on kosher slaugh­ter as a threat to reli­gious free­dom, an impor­tant Enlight­en­ment ide­al. Efron’s con­clu­sion alludes to how Jews, Mus­lims, and Chris­tians in mod­ern Ger­many have band­ed togeth­er to defend the rights of eth­nic minori­ties to per­form slaugh­ter accord­ing to their own reli­gious laws. 

A high­light of this book is its deep dive into Ger­man lit­er­ary cul­ture relat­ing to Jews and meat. Unfor­tu­nate­ly, the advent of print cul­ture in the ear­ly mod­ern peri­od paved the way for the pro­duc­tion and dis­sem­i­na­tion of decid­ed­ly anti­se­mit­ic and con­spir­a­to­r­i­al ethno­graph­ic accounts of Jew­ish dietary cus­toms. On the oth­er hand, print cul­ture allowed Ger­man Jews to react cre­ative­ly to the threat of assim­i­la­tion that accom­pa­nied moder­ni­ty. For exam­ple, in the mid-nine­teenth cen­tu­ry, Ger­man Jew­ish rab­bis and lay schol­ars pub­lished explana­to­ry guides to kashrut in Ger­man to address Jew­ish read­ers who may not have been flu­ent in Hebrew but who want­ed to under­stand dietary laws. Sim­i­lar­ly, the pub­li­ca­tion of kosher cook­books such as Rebek­ka Wolf’s Cook­book for Jew­ish Women (1851) exem­pli­fies an inno­v­a­tive response to the grow­ing demand for knowl­edge of reli­gious food cus­toms among bour­geois women dur­ing that time peri­od. Ulti­mate­ly, Efron shows how print cul­ture helped cul­ti­vate a dis­tinc­tive­ly Ger­man Jew­ish iden­ti­ty around food and cook­ing that tog­gled between the preser­va­tion of the past and the embrace of modernity.

All Con­sum­ing is not suit­ed for squea­mish read­ers, as it con­tains some graph­ic descrip­tions and visu­al depic­tions of both kosher and non-kosher slaugh­ter. How­ev­er, the book’s back­ground infor­ma­tion on the bib­li­cal and cul­tur­al ori­gins of Jew­ish dietary cus­toms and its engag­ing use of archival mate­ri­als make it an excit­ing read suit­ed for all kinds of audi­ences, includ­ing those with lit­tle to no back­ground knowl­edge of Jew­ish his­to­ry and dietary customs. 

Dr. Sarah Fried­man earned her Ph.D. in Eng­lish from the Uni­ver­si­ty of Wis­con­sin-Madi­son in 2024. Her dis­ser­ta­tion exam­ined rep­re­sen­ta­tions of mas­culin­i­ty in medieval lit­er­ary and med­ical texts. Her schol­ar­ship has appeared in Essays in Medieval Stud­ies, Pere­gri­na­tions, Medieval Fem­i­nist Forum, and The Cam­bridge Uni­ver­si­ty Library Spe­cial Col­lec­tions Blog. She also recent­ly pub­lished a review of the artist Liz Scheer’s solo show Noc­tura­ma” at Galerie Shibu­mi for Two Coats of Paint, a blogazine that cov­ers paint­ing in NYC. Cur­rent­ly based in New York City, Sarah works full-time as a col­lege admis­sions con­sul­tant. She holds a B.A. in Eng­lish from Barnard Col­lege, where she grad­u­at­ed sum­ma cum laude in 2015. In her spare time, Sarah enjoys par­tic­i­pat­ing in Jew­ish learn­ing oppor­tu­ni­ties, see­ing dance per­for­mances, and try­ing new restaurants. 

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